TATIANA PARCERO
EDUCATION
1992-1995 M.A. in
Arts with studies in Photography. New York University/International Center
of Photography
(NYU/ICP), New York.
1988-1990 Specialization
in Sexology. Mexican Institute of Sexology, Mexico City.
1986-1990 Bh.S
in Psychology. Universidad Nacional Autonoma de Mexico (UNAM), Mexico City.
1985-1991 Taller
de los Lunes, run by Pedro Meyer. Consejo Mexicano de Fotografia (CMF)
and IV courses
of “Experimental Photography” with Oweena Fogarty and Nina
Glaser, Universidad
Autónoma Metropolitana, Mexico City.
SOLO SHOWS
2006 Actos de Fé,
Photographs and instalation, Atlantica Transart, Santiago de Chile.
2005 Tatiana Parcero,
Interculturalidades project, Universidade Federal Fluminense, Niterói,
Rio
de Janeiro, Brasil.
2004 Actos de Fé,
Galeria Visor, Valencia, Spain.
Tatiana
Parcero, Cartografias, Festival
Terre d’Images, Biarritz, France.
2001 Nuevo Mundo,
X Jornadas Fotograficas, Huesca, Spain.
2000 Fotografías
deTatiana Parcero, Espacio Río, Buenos Aires, Argentina.
Festival de la Luz Internacional/Fotoseptiembre
Mexico.
1999 Nuevo Mundo,
Galería Visor, Valencia, Spain.
1998 Nuevo Mundo,
Centro Cultural Rojas, Buenos Aires, Argentina.
Cartografía
Interior, Primavera Fotográfica, Galería Ma. José Castellví,
Barcelona, Spain.
1997 Cartographies,
www.zonezero.com
Cartografía
Interior, Galería Raíces, Puerto Rico.
1996 Cartografía Interior,
Instituto Politécnico Nacional, Centro Cultural J.T. Bodet, Mexico
City.
SELECTED GROUP SHOWS
2005 Sweet Basil,
Bernice Steinbaum Gallery, December 1st- 4th
Tatiana
Parcero, Backlight Festival, 7th International Photographic Triennial,
Tampere Finland.
Help
Wanted: Collaborations in Art // presented by Born Magazine & COCA –Center
of
Contemporary
Art- Seattle, USA. Interactive installation by Nikolai Cornell/pictures
by Tatiana Parcero.
La
Costilla Maldita, Centro Atlántico de Arte Moderno -CAAM-
, Palmas de Gran Canaria, Spain.
2004 Assassins of the
Mirror: The Body and the Writing, Walter Otero Gallery, San Juan,PR
Defining Moments: The Judy and Sidney Zuber Collection of Latin American
Photography,
Phoenix Art Museum, Phoenix, Arizona, USA.
2003 Mapas Abiertos,
Latinamerican Photography 1991-2001, Fundación Telefónica,
Madrid/ Palau de la Virreina, Barcelona, Spain. Traveling aroun Europe
and Latinamerica.
Shark´s in
the Morning, Daniel Azoulay Gallery, Miami, FL.
Mapping,
Grapa Studio of Art, Miami, FL.
De
lo qu soy / Of what I am, Selfportraits of women from Latinamerica
and the Caribbean, Lehman College Art Gallery, Bronx, NY.
Fotografica,
Latincollector Gallery, New York, NY.
2002 Hot City, What’s
New?, Daniel Azoulay Gallery, Miami, FL, USA
Photographic
Memory, Galería de la Raza, San Francisco, CA, USA.
Picturi
ng the Female Body, Latincollector Gallery, New York, NY, USA.
2001 Autorretrato, 131
women artists, Centro Cultural Borges Buenos Aires, Argentina.
2000 Salon Nacional
de Artes Visuales. Palais de Glas. Buenos Aires, Argentina.
San
Telmo Estudios Abiertos, Buenos Aires, Argentina.
Identidad-Diversidad, Casona
de los Olivera, Buenos Aires, Argentina.
Bordes
Inasibles, Centro Cultural Cajastur, Palacio Revillagigedo, Gijón,
Asturias; Instituto de América/Centr Damián
Bayón de Santa Fé, Granada, Spain, among others.
1999 Ocho Fotógrafos,
Espacio Río, Buenos Aires, Argentina.
Finochietto
Estudio Abierto, Buenos Aires, Argentina.
Arte
Fotográfico del Museo de Arte Moderno, Museo de Arte Moderno
de Buenos Aires,
(MAMBA) Argentina.
Arte
del Nuevo Medio: Doce Propuestas Electrónicas, Museo de
Arte Contemporáneo de
Puerto Rico.
- El Cuerpo Aludido, Anatomías y Construcciones, México Siglos XVI.XX, Museo
Nacional de Arte, Mexico City.
1997 XXXII Encuentro
Nacional de Arte Jóven, Instituto Nacional de Bellas
Arte (INBA) / Consejo
Nacional para la Cultura y las Artes
(CNCA), Aguascalientes, Mexico.
VI
Bienal de la Habana, Centro Wifredo Lam, La Habana, Cuba.
Figuring
the Body, The Museum of Fine Arts, Houston, Texas.
Territorios
Singulares, Mexican Contemporary Photography,
Canal de Isabel II, Madrid, Spain.
Young
and Restless, The Museum of Modern Art, New York.
1996 Metáforas,
FotografÌa Construída, Museo de Monterrey, Monterrey, Nuevo
Leon, Mexico.
Muestra
Latinoamericana de Fotografía, Centro de la Imagen, Mexico
City. Travelling through
Latinamerica.
El
Cuerpo: objeto y sujeto de sus sueños y entorno, Galería
Nina Menocal, Mexico City.
The
Furor of Change, Pulse Art Gallery , New York.
1995 Fact, Fiction and
Truth, Contemporary Portraits, Lehman Collegue, The City University
of New York.
Figures
of Construction, Carla Stellweg Latin American and Contemporary
Art, New York.
1994 Encuentro Interamericano
de Artístas Plásticos, Museo de las Artes, Guadalajara,
Jal., Mexico.
Imprint,
A.I.R. Gallery, New York.
VI
Photography Biennial, Centro de la Imagen, Mexico City.
1993 Realidades Virtuales, Galería
José Ma. Velasco, Mexico City.
1992 Caracteres Sucesivos,
Galería del Bosque, Casa del Lago, Mexico City.
1991 Pasión por
Frida, Museo Diego Rivera, Mexico City.
Fotógrafas
Contemporáneas Mexicanas, Il Diaframma Gallery, Milan,
Italy.
AWARDS
1997 Adquisition Award. XXXII Encuentro
Nacional del Arte Joven, Instituto Nacional de Bellas Artes (INBA)/Consejo
Nacional para la Cultura y las Artes (CNCA), Aguascalientes, Mexico.
1995 Honourable Mention for the concept
to the video Life Lines in the International Festival of
Erotic Video. Claustro de Sor Juana,
Mexico City.
1989 1st. Place in the University Photography
Contest. UNAM, Mexico City.
GRANTS
- Grant, Fundación Antorchas, Buenos Aires, Argentina.
1992-1995 Schoolarship.
Organization of American States (OAS), Mexico.
Fellowship.
National Fund for the Arts and Culture (FONCA), Mexico.
VIDEOGRAPHY
2004 Life in a box, two channel
video, 5 min., color/sound, Digital video/VHS.
1999 Diario de viaje(s), un
canal, 15 min., color/sound, Digital Video.
1996 Week 31, one channel,
15 min., color/sound, Hi-8.
1995- Soul Territories, video
instalation, 4 channel, 6 min. c/u, color/sound/text, Hi-8/VHS.
Life
Lines, one channel, 6 min., color/sound, Hi-8 / 3/4”.
Cycle,
one channel, 6 min., color, music by Carlo , VHS.
1994 23 de Marzo, one channel,
6 min., color/sound, VHS.
My
Voices, one channel, 2 min., color/sound/text, VHS.
1993 Self-portrait, one channel,
2 min., color/sound/text, VHS.
SCREENINGS
2004 Corporal Identity -
Body Language: The Moving Image, Donnell Library 20 West 53rd Street,
New York.
2002 Viology, Galería de
la Raza, San Francisco, CA, USA.
2000 El Viaje, Videoart at
the Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
1997 Video Viewpoints series
and Young and Restless exhibition, The Museum of Modern Art, Nueva
York.
1996 Erase una vez... esta es la historia
que... del Minimal al Cabaret: setentas-noventas, El Teatro Central, Sevilla;
Centro Cultural ReÌna Sofia, Madrid; Centro Museo Extremeño
e Iberoamericano de Arte Contemporáneo,
Extremadura, Spain.
1995 Identidad, El video como
espejo, Centro de la Imagen, Mexico City.
II
Festival de Video Erótico, Claustro de Sor Juana, Mexico City.
1994 Sangre de mi Sangre, Centro
de la Imagen , Mexico City.
COLLECTIONS
The
Museum of Fine Arts, Houston, Texas, USA.
Museo
de Arte Moderno, Mexico City.
Miami Dade
University Art Galleries, Kendall Campus, Miami. FL.
Buhl
Studio Inc., New York, NY.
Instituto
Nacional de Bellas Artes (INBA), Agusacalientes, Mexico.
Museo
de Arte Moderno de Buenos Aires (MAMbA), Argentina.
Centro
Damián Bayón de Santa Fé, Granada, Spain.
El
Museo del Barrio,New York, NY, USA.
Fundación
de Arte Caja Burgos, Spain.
Museo
de Arte Contemporáneo de Puerto Rico, San Juan, Puerto
Rico.
REVIEWS & CATALOGUES
2005 La Costilla Maldita,
(Catalogue) Centro Atlántico de Arte Moderno -CAAM- , Palmas de
Gran Canaria, Spain.
2004 Cartier Foundation Magazine,
Hands, (Magazine), Fundacion Cartier pour le Art Contemporain, Paris,
France.
Assassins
of the Mirror: The Body and the Writing (Exhibition Catalogue)
essay by Dermis P. León, Walter Otero Gallery, San Juan,Puerto
Rico.
Defining Moments: The Judy and Sidney Zuber Collection of Latin American
Photography (Catalogue) Phoenix Art Museum, Phoenix,
Arizona, USA.
Los Heraldos Negros ( poetry book, Cover), by Cesar Vallejo,
Cooper Canyon Press, USA.
2003 Mapas Abiertos, (Catalogue,
Cover and Portfolio), Ed. Lunwerg, Spain.
William Zimmer, ‘Through her eyes only”, The New York Times
(WE), Arts and Entertainment, Sunday April 13, New York.
Art Nexus, Reviews, De lo que soy / Of what I am, Lehman College
Art Gallery, No. 49, Vol.2
2002 BLINK, 100 photographers,
(Portfolio) Ed. By Phaidon, Lonon, England.
Reversible Monuments: an an anthology of contemporary Mexican
poetry (Cover) edited by Monica
De la Torre & Michael Wiegers, Cooper Canyon Press.
2001 Autorretrato, 131 women
artists, (Catalogue) Centro Cultural Borges Buenos Aires, Argentina.
Sothward
Art, Latin American Art Review, (Portfolio), Year 1, Issue 2, Dic.00/Feb/01.
Text by Laura Batkis.
2000 Bordes Inasibles (Catalogue),
Centro Cultural Cajastur, Obra Social y Cultural, Asturias, España.
1999 Talking Visions: Multicultural
Feminism in a Transnational Age, (Cover) Ella Shohat ed.,
The
MIT Press & The New Museum of Contemporary Art, New York.
TIME, “Latin
American Leaders for the New Millenium” Special Issue, mayo 24, vol.153,
No. 20
1998 Domus, "Seen from
a Distance", (Cover & portfolio) #808, October, Milan, Italy.
El
Cuerpo Aludido, Anatomías y Construcciones, México
Siglos XVI.XX, (Catalogue), Museo Nacional de Arte,
Mexico City.
1997 ARTnews, “Havana
Biennial” Reviews International by Carey Lovelace, Sept, Vol. 96,
No.8.
Grand
Street, (Cover), #61 “Navigation” by Octavio
Zaya, Vol.16, No.1, Summer, Nueva York.
VI
Bienal de la Habana (Catalogue), Centro Wifredo Lam, La Habana, Cuba.
The
New York Times “The Resurging Video, Reclaimed and Reoriented” by
Roberta Smith, Feb. 21st. C 28.
Territorios
Singulares (Catalogue), Mexican Contemporary Photography, Canal de
Isabel II, Madrid, Spain.
Mujeres (agenda), Ed.
por Mujeres en Lucha por la Democracia, Mexico City.
Crónicas
Fotográficas (Cultural Agenda), Ed. de Proyectos Culturales,
Mexico City.
1996 Metaforas (Catalogue),
Museo de Monterrey, Monterrey, N.L., Mexico.
Reforma (Newspaper), “No
solo para los ojos” by Marcela GarcÌa Machuca, September 26,
Section D, Monterrey, N.L., Mexico.
Excelsior (Newspaper), “Tatiana Parcero abrió exposición”,
September 21st., seccion B, Mexico City.
Reforma (Newspaper), “Construye
Parcero su CartografÌa Interior” by Leticia Sanchez, September
17st., Cultura, Mexico City.
Cartografía
Interior (Catalogue), Instituto Politécnico Nacional, Centro
Cultural J.T.B., Mexico City.
Texts
by: Mónica de la Torre; Armando Suárez Cobian.
Sacbé (Magazine) “Las
Curas” by Luz Ma. Sepúlveda, No.6, Summer, Mexico City.
.
1995 Lapiz (Magazine), Mexican
Photgraphy, “Miradas de Mujer”, by Manuel García, November,
Spain.
The
Riverdale Press, “Is a greater truth behind the mask?” by
Marina Lakhman, Sept. 28, New York.
The
New York Times (WC) , “Portraits That Use Absence As a Vehicle
of Expression” by William Zimmer, Art, October 22, New York.
Harper’s
Bazaar Mexico (Magazine), “Ojo de Mujer: El ojo experimental
de Tatiana Parcero” by Daniela Becerra, Oct.,
16 year, No.10. Mexico City.
Mujeres
Diary, Photographs; ed. by ‘Women in struggle for democracy’,
Mexico City.
1994 Encuentro Interamericano de
Artistas Plasticos (Catalogue), Museo de las Artes, Guadalajara,
Jal, Mexico.
Poliester (Magazine),
Reviews: “VI Photography Biennial”, by Magali Arreola, Summer,
Mexico City.
1993 Estilo (Magazine), “Un
Rompe-Cabezas nada usual, fotografÌas de Tatiana Parcero” by
Amalia Caputo, 4th year, No.17June, Caracas, Venezuela.
Nuestros
Niños: Herencia Mexicana (Book), Photographs, ed. by DIF,
Mexico.